Jin Sha
China
Jin Sha was born in 1968 in Beijing. He graduated from the Chinese Painting Department of Central Academy of Fine Arts (CAFA) in 1992, and first arrived in Sydney in 1989, later obtaining Australian permanent residency in 2000. In 2009, he curated Zhongjian: Midway, a touring exhibition of contemporary Australian art for the Wollongong Art Gallery. The show successfully travelled across fourteen art galleries in Australia and China, earning widespread acclaim in both countries. He is now Vice President of the Beijing Art Institute of Chinese Gongbi Painting, and lives and works between Sydney and Beijing.
Jin practises gongbi, the meticulous fine brushwork of natural mineral colours on silk. His signature Salute to Masters series recontextualises canonical European paintings through his own philosophy. He extracts every human figure, leaving only garments and props, so that one's gaze passes through the space a body should have blocked. He likens this to liubai ( 留白 ), the "intended blank" through which the viewer enters the work, filling it with symbols of temptation and decline — reading contemporary China against the prosperity and decay of Renaissance Europe.
Jin has exhibited across Australia, including at Wollongong Art Gallery, Mosman Art Gallery, Albury Regional Art Gallery (now Murray Art Museum Albury), Mornington Peninsula Regional Gallery, Cairns Art Gallery, Casula Powerhouse Art Centre, Western Sydney University, and in the solo exhibitions Ling Yun (2023) and Blue Veil (2026) with REDBASE Art Sydney. He has also exhibited across China, Japan, the United States and Europe, and has been collected by the National Art Museum of China and other institutions in China, Japan, and United States.
The Message Ink and Colour Pigment on Silk 85 x 105 cm, 2013
Jin Sha The Blue Veil: Homage to Sidney Nolan No.1 Ink and colour pigment on silk 48.5cm x 45cm, 2026
Jin Sha The Pink Veil: An Rendezvous with Arnolfini Ink and colour pigment on silk 72cm x 63cm, 2026
Jin Sha Echoes of Raphael: The Speechlessness of Classicism No.2 Ink and colour pigment on silk 38cm x 32cm, 2026
Jin Sha The Blue Veil: When Sidney Nolan Meets Jacques-Louis David Ink and colour pigment on silk 92cm x 83cm, 2026
Jin Sha The Blue Veil: Adieu, Jean Clouet Ink and colour pigment on silk 50cm x 67.5cm, 2026
Jin Sha The Blue Veil: Presence in Non-Being Ink and colour pigment on silk 101cm x 95cm, 2026
Jin Sha The Blue Veil : To be Ended Ink and colour pigment on silk 275cm x 73.2cm, 2025
Conversation with Alesso Baldovinetti Ink & Colour Pigment on Silk 50 x 38 cm, 2014
Meeting in Magritte's Room Ink and Colour Pigment on Silk 38 x 97cm, 2016
A Dialogue with Piero della Francesca Ink & Colour Pigment on Silk 55 x 44 cm, 1994
The Last Gothic Pencil, Ink & Colour Pigment on Silk 28 x 36 cm, 2021
Conversation with Rogier vander Weyden Digital Print on Paper 65 x 45 cm, 2018
The Message 2021 Ink & Colour Pigment on Silk 28 x 56 cm, 2021
Disappeared in the Mirror No. 8 Ink and colour pigment on silk 43 x 28 cm, 2016
Goodbye Piero Ink and Colour Pigment on Silk 48 x 30 cm (2 sided, 2016
Goodbye Meret Ink and colour pigment on silk 54.5 x 84.5 cm, 2015
Conversation with Giovanni Bellini Digital Print on Paper 60 x 50 cm, 2016
Conversation with Sandro Botticelli Ink & Colour Pigment on Silk 74 x 48 cm, 2015
Conversation with Pisanello Ink & Colour Pigment on Silk 60.5 x 43.5 cm, 2014
The Message: Salute to Leonardo da Vinci Digital Print on Paper 58 x 114 cm, 2018
The Message: A Dialogue with Robert Campin Digital Prints on Paper 44 x 58 cm, 2019
Conversation with Petrus Christus Digital Print on Paper 76.5 x 72.5cm, 2018
Prediction of Hieronymus Bosch Digital Print on Paper 45 cm (diameter), 2018
Prediction of Hieronymus Bosch 1 Digital Print on Paper 45 cm (diameter), 2018
Prediction of Hieronymus Bosch 2 Digital Print on Paper 45 cm (diameter), 2018
Bosch's Fable: The Truth Ink & Colour Pigment on Silk 43 x 86 cm, 2018
The Trap by Bruegel Ink & Colour Pigment on Silk 38 x 64 cm, 2018