Redbase proudly presents Cross of the Matter, a group exhibition showcasing the artistic practices of six Indonesian artists. Featuring drawing, painting, sculpture, and mixed media on stuffed canvas, these artists offer a multifaceted exploration of their respective regions within Indonesia, particularly the rich traditions of Java and Bali. Bringing together voices from diverse religious and spiritual traditions, including Christian, Catholic, Muslim, and Hindu beliefs, the exhibition transcends cultural and religious boundaries, highlighting the complexities of contemporary practices within the context of longstanding faith traditions.

The exhibition’s title, Cross of the Matter, plays on the symbolism of the Christian cross while inviting deeper contemplation of the intersections between socio-cultural rituals and beliefs prevalent in Indonesia. Antonio Sinaga’s contributions introduce theological language into the artistic discourse, challenging conventional understandings and encouraging viewers to question the role of religion as both a spiritual guide and a political instrument in contemporary society.

Ariadhitya Pramuhendra’s exploration of religious imperfections offers a poignant critique of the human condition, juxtaposing human flaws with the ideals upheld by religious doctrine. Through evocative imagery, Pramuhendra invites viewers to confront the complexities of faith and its manifestations in everyday life.

Made Wiguna Valasara’s traditional Balinese paintings present a rich tapestry of cultural motifs, contrasting the communal ethos of Balinese society with the individual pursuits of artistic expression. By examining the commodification of Balinese culture, Valasara challenges prevailing stereotypes and calls for a reconsideration of Bali’s cultural identity in a globalised world.

Ipeh Nur’s powerful depictions of the struggles faced by women in Indonesia provide a critical commentary on the intersections of religion, gender, and social expectations. Through intricate drawings, Nur reveals the influence of religious dogma on personal freedoms, encouraging viewers to reconsider the impact of societal norms on individual autonomy.

Rizqi Maulana’s exploration of spiritual values and local myths offers insight into the rich traditions of Javanese culture, weaving together traditional folklore and contemporary symbolism. Through his visual language, Maulana reflects on the continuing relevance of cultural heritage in an ever-changing world.

I Wayan Upadana’s reflections on Balinese culture and its evolving relationship with modernity provide a nuanced perspective on cultural preservation amid globalisation. Through his work, Upadana captures the dynamic relationship between tradition and innovation, inviting viewers to consider the delicate balance between preservation and progress.

Cross of the Matter offers a meaningful discourse on the intersections of culture, religion, and identity within contemporary Indonesia. Through their collective perspectives, these six artists present a profound contemplation on the enduring complexities of human faith and the experience of religious belief in today’s world. Their works examine the nuanced relationships between tradition, adaptation, and the re-evaluation of religious doctrines within the context of modern faith.